By using the traditional Byzantine visual theological vocabulary, Rupnik’s art accomplishes the same goal as verbal theological modernism: it uses the same “words” - visual forms - to mean different things. —Hilary White, “Who is Marko Ivan Rupnik, & why did the Bergoglians shelter him?” is as is
Leo Wong
https://leowong.micro.blog/2023/05/16/about-gospel-scenes.html